16 March 2009

HISTORIC LES PAUL STANDARD REISSUE SPEC CHANGE HISTORY (1993-2007)

Gibson have gone to a lot of trouble to recreate every last detail of the Historic Les Pauls. Todays build standards are much more consistent than they were at the time. It starts based on a guitar which is pre-historic Les Paul standard reissue (1983-1992) with larger Kluson type tuners (but not exactly Kluson replicas). Then...

1993
  • Deep neck joint
  • Holly headstock veneer
  • Silk screened les paul logo
  • Correct pickup routing
  • Les Paul classic aged inlay
  • 57 classic pickups
  • Kluson replica tuners
  • Vintage letter styled serial#
  • "historic collection" decal on the headstock
  • Indian rosewood fingerboard
  • "AAAA" grade soft maple top
  • Regular Gibson USA brown case
  • Regular early 90s style cherry sunburst
  • Cherry sunburst and heritage darkburst
1994-1996
  • Historic parts, only pickguard, pickup rings, trussrod cover
  • Regular Gibson USA white pearloid inlay
  • AAAA grade soft maple top
  • Darker transparent orangy cherry sunburst
1997-1998
  • ID micro chip in the neck joint
  • Brass bridge saddles instead of steel bridge saddles
  • AAAAA grade soft maple top
  • Brighter transparent orangy cherry sunburst. (1997-1998)
  • Unknown space between pickguard and bridge pickup ring
  • Brighter cherry color on back of body
1998
  • AAAAA plus grade soft maple top
  • Butterscotch finish (R8 only)
  • No volume/tone knob washers
  • Custom shop black case
1999
  • "40th anniversary" unofficially nicknamed the 1959-1999
  • First Tom Murphy aged finish model
  • COA began
  • Thin body binding
  • Thin lacquer finish
  • AAA hard maple top
  • New vintage taste cherry and darkburst
  • Vintage style back red filler color
  • Refined parts positions and neck shape
2000
  • Vintage Lifton style brown case for R9/R0. (Made In Guatemala)
  • Lemon burst, tri burst
2001
  • Thin neck binding
  • Tortoiseshell color side dots
  • Round edged pearloid inlay (2001-2002 only)
  • Vintage style mid jumbo size frets
  • Thick jack plate (2001-2002 only)
  • Aluminum tailpiece
  • Very bright red sunburst
  • Custom authentic finish
  • faded tobacco, iced tea, washed cherry
2002
  • Burstbucker type 2 & 3
  • Non wired ABR-1 bridge for the early units
  • Genuine kluson tuners for the early units
  • Vintage taste aged inlay (only R9/R0, later for all models)
  • Vintage style thin jack plate (only R9/0, later for all models)
  • Vintage style thin toggle switch washer (only R9/0, later for all models)
  • Vintage color toggle switch knob (only R9/0, later for all models)
  • Vintage style CTS pots and oil caps. not bumblebee (only R9/0, later all models)
  • Vintage style tuner bushings
  • Dark deep cherry sunburst
2003
  • Brazilian rosewood fingerboard (only on the unit from JAN to MAY)
  • Madagascar rosewood fingerboard
  • Eastern hard maple
  • Burstbucker type 1 & 2
  • AA grade eastern hard maple top
  • Gold knobs instead of previous vintage amber knobs
  • Corrected tuner positions. "V" intead of "l l" way
  • A space between the trussrod cover and nut
  • Vintage style CTS pots and BUMBLEBEE caps
  • Transparent orange to regular red cherry sunburst
  • " i "dot on gibson logo moved to the correct position
  • Refined parts positions and neck shape
2004-5
  • New custom shop black case
  • AAA eastern hard maple top
  • Silk screened logo moved to the correct location
2006
  • VOS finish
  • Plek'ed treatment neck
  • Vintage looking maple top grains/figures
2007
  • Brighter back red filler color
  • Honduran Mahogany
  • Correct size pickguard
2008-XXXX
  • ?
2009
  • Improved ABR-1 bridge (no-wire, tighter tolerances)
  • Historically correct nickel-plated brass bridge saddles
  • Correct alloy saddle adjustment screws
  • Bridge height adjusting thumbwheels now steel, rather than brass and are thinner
  • Neck profile changed - now has less "shoulders"
  • Audio taper CTS pots
  • 50's wiring
  • Pickup routes adjusted so that pickups will be parallel to the strings
  • Top carve changed to be closer to several original '59s that were scanned
  • Body perimeter change - slightly tighter in waist, cutaway area refined to be more like originals
  • The maple cap is very slightly thinner, the mahogany body is very slightly thicker
  • The fingerboard is slightly thinner
  • The step from neck heel to back of body is taller and more correct
  • The taper of the "maple window" under the binding in cutaway is more accurate
  • The maple spline (filler strip) in the tenon is more accurate
  • The edge radius on the backside of the body is tighter (less rounded)
  • The "mustache curve" of the headstock top has been flattened slightly
  • The control cavity plate has been relocated, has the correct side taper, and now uses the correct ABS plastic
  • The pickguard shape has changed slightly
  • The pickguard bracket and screw have been changed
  • The truss rod cover has been reshaped to be more accurate
  • The serial number location is slightly lower and more correct
  • Dial pointers are less sharp
  • The strap button screws are longer
  • The jack hole is now the correct 1" diameter
  • The toggle switch nut has more correct knurled pattern
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